August 6,
7, 9, 10, 11, 12 13, 14, 20, 21, 25, 26,27, 28, 2004 at 6.15 pm
Prakriti Foundation
, ICAF, Asian College of Journalism and ELLEments presented
"Vikalp
- Films for Freedom" A festival of documentary films
Venue: Film
Chamber theater, Anna Salai daily
Schedule
Details about
the films can also be got from the website http://filmsforfreedom.cjb.net/
Details
about the films
|
Title
|
Director
|
Dur.
|
|
|
|
Aamakaar
|
Surabhi
Sharma
|
76
|
Aamakaar
tells the story of preservation. A people of a village in North Kerala
fight to preserve their village, their shore, and their livelihoods, threatened
by sand mining on their estuary. For the last ten years they have been
conserving Olive Ridley Turtles that come to their beach to nest.
|
Kara
Film Festival 2003, Karachi
Vatavaran
Film Festival, 2003, New Delhi
Women
In Film, Substation, Singapore 2003
Planet
In Focus, Toronto, 2003
Third
Best Film awarded by IDPA, 2003
|
|
All
Roads Lead to Cinema
|
Sumit
Khanna
|
30
|
Glimpses
into the lives of Assistants Directors in the Mumbai Film Industry , in
the process sharing their dreams and understanding their pain.
|
|
|
Anjawa
is Me, I am Anjawa
|
Gautam
Sonti
|
71
|
The
73rd Amendment to the Constitution of India makes it mandatory to reserve
seats in Panchayats for women.. The film revolves around the experiences
of a few elected women in Telangana (Andhra Pradesh) and looks at the way
power is controlled and misused - in the home, community and outside world.
|
World
Social Forum 2004 Withdrawn from MIFF 3004
|
|
Anuanad
-echoes of the
first sound |
Sanjay
Maharishi
|
28
|
Amidst
the chaotic movements of the city, the sounds of the taan linger much after
a performance has come to an end. The film follows four students who involve
themselves with the activities of SPIC MACAY.
|
SPIC
MACAY
|
|
Bakkarwals
|
Rajesh
Kaul
|
38
|
Bakkarwals,
the shepherds and pastoral nomads of Jammu & Kashmir, struggle to continue
with their ancient profession. The spirit of co-operation is the
strength by which
the community survives the vagaries of nature and their
own vacillating
fortunes. |
-Kathmandu
International Mountain Film Festival (2002)- Kathmandu, Nepal
-Madurai Film
Festival (2002)- Madurai, India
-The Mountain
Film Festival (2003)- Mumbai, India
-Bilan du
Film Ethnographique (2003)- Paris, France
-Thessaloniki
Documentary Festival (2003)- Thessaloniki, Greece
-Etats Généraux
du Film Documentaire (2003)-Lussas, France
-Himalaya
Film Festival (2003)- Amsterdam, Nederland |
|
Bamboo
Children, The
|
Aarti
Bhasin
|
28
|
The
Biligiri Rangan Hills, located in the Chamrajnagar District of South Karnataka,
are home to the Soligas, its indigenous peoples. They were threatened with
extinction till Dr. Hanumappa Sudershan (Padmashri) came in contact with
them. It is a story of conservation and preservation of the Soligas and
their bio-diverse environment.
|
Jeevika
2003:
Scheduled
for a screening at Roop Kala Kendro, Kolkata 2004
|
|
Bitter
Drink, The
|
P.
Baburaj & C. Saratchandran
|
27
|
Chronicles
the struggle of the most marginalised section of the Indian society, the
tribal community, against the mighty global giant Coca Cola. It also discusses
the issue of the ownership of natural resources, mainly water.
|
Withdrawn
from MIFF 2004
|
|
Buru
Sengal (The Fire Within)
|
Shriprakash
|
57
|
The
land of the Tana Bhagats, a sect of the Oraon tribe who follow a Gandhian
lifestyle and philosophy, is today besieged by Naxalite violence. In tracing
the impact of the underground Maoist guerrillas, the film touches upon
corruption, the mafia, energy politics and displacement of villages, and
tribal identity in an area where coal has been mined for the last 150 years
|
Best
film - XVIII Black International cinema 2003, Berlin
Grand
jury award - Film South Asia, 2003, Kathmandu Special mention, Earth Vision,
2002, USA
|
|
Buzz
of Betrayal, The
|
Aditya
Seth
|
1
|
An
animated spot against child sexual abuse. It uses the metaphor of a bee,
flower and a bud to actualise this.
|
|
|
Chords
of the Richter Scale
|
Shyam
Ranjankar
|
45
|
On
the issue of the post earthquake situation in Kutch after 2001, it explores
the rampant corruption and the discrimination against Dalits and minorities
during the relief and rehabilitation process.
|
|
|
City
Beautiful, The
|
Rahul
Roy
|
78
|
The
story of two families in Sundar Nagri, a small working class colony in
Delhi, struggling to make sense of a world, which keeps pushing them to
the margins. Most families residing here come from a community of weavers.
The last ten years have seen a gradual disintegration of the handloom tradition
of this community under the globalisation regime.
|
The
Leipzig International Documentary Festival, 2003, Germany
Other
Worlds Are Breathing, World Social Forum, Mumbai, 2004
Cinema
Du Reel, Paris, 2004
Munich
International Documentary Film Festival, 2004
Jeevika
National Livelihood Documentary Festival, Delhi, 2004
|
|
Colours
of Earth
|
Shefali
Bhushan
|
60
|
Colours
of Earth is a musical voyage to the vibrant melodies of traditional
Indian music. From the colourful deserts of Rajasthan to the barren towering
mountains of Lahaul and Spiti in the Himalayas, it tells the story of some
of the fantastic traditional musicians who nobody cares to remember any
more.
|
|
|
Development
Flows from
the Barrel of
the Gun
|
Biju
Toppo & Meghnath
|
53
|
Documenting
the state violence on people affected by development projects in the country,
the film explores the relationship between this violence and the new economic
policy and globalisation. It puts forward the people's viewpoint on development,
which is diametrically opposed to that of the state.
|
Film
South Asia, 2003
Travelling
Film South Asis, 2003-4
Withdrawn
from MIFF 2004
|
|
Final
Solution
|
Rakesh
Sharma
|
218
|
A
four part study of the politics of hate. Set in Gujarat between Feb. 2002
and July 2003, it examines the consequences of Hindu-Muslim polarisation
in the state. The film is anti-hate/violence, as "those who forget history
are condemned to relive it".
|
Berlinale
2004
WSF
2004
Hongkong
International film Festival 2004
Other
festivals invited to -
Fribourg
International Filmfest, 2004
Munich
Dokfest., 2004
|
|
For
Whom the Jingle Bells Toll
|
Vivek
Mohan
|
29
|
A
film on global warming/climate change based in Simla during Christmas.
It is a personal story with a soul and a message. Will there be a White
Christmas or not?
|
|
|
Girl
Song
|
Vasudha
Joshi
|
28
|
The
film enters the world of Anjum Katyal, blues singer, poet and mother. In
her interactions with her mother and daughter, we see how a cultural identity
proudly woven from many strands is under assault.
|
|
|
Godhra
Tak- The Terror Trail
|
Shubradeep
Chakravorty
|
60
|
An
investigative documentation of the barbaric incident on 27 Feb 2002, when
coach S6 of the Sabermati Express was burnt at Godhra in Gujarat, India.
Fifty-nine people, including several kar sevaks died in that fire. The
film tries to find out what actually happened at Godhra railway station
on that day and how far the allegation of a conspiracy is true.
|
Film
South Asia, 2004
Kara
FilmFestival, 2004
|
|
Hawa
Mahal
|
Vipin
Vijay
|
58
|
An
epic film on the Holy Little Box, the RADIO, a profound archaic force,
a time bond with most ancient past and long forgotten experience, with
its power to turn the psyche and society into a single echo chamber. An
apparatus that neutralized nationalism but evoked archaic tribal ghosts
of the most vigorous brand.
|
|
|
Hunger
in the time of Plenty
|
Sagari
Chabra
|
30
|
Explores
the irony of starvation deaths in the time of food surpluses. Shot in the
interiors of Rajasthan and in the lush tropical forests of Orissa as well
as in New Delhi, the film is a personal journey, in quest for the truth.
|
Toxic
Links & India International Centre Film Festival
|
|
Hunting
Down Water
|
S.
Barnela & V.Saberwal
|
32
|
The
film explores the fact that the present water crisis is largely a crisis
of our own making. It studies the dynamics of this man-made crisis.
|
Philadelphia
Short Film Festival
Film
South Asia 2003, Kathmandu
Travelling
Film South Asia, 2003-4
VATAVARAN
2003, New Delhi
|
|
In
the Flesh
|
Bishakha
Dutta
|
53
|
Provides
an intimate insider's account of what it is really like to be in prostitution
- by following the lives of three real life characters. We see their workplaces,
hear their stories, see them pick up customers, persuade clients to wear
condoms, fight HIV/AIDS in their communities, and battle violence through
simple home-made weapons and collective action on the streets.
|
Global
Visions Film and Video Festival, Canada 2003
Three Continents
Human Rights Film Festival, Cape Town, South Africa 2003
South Asia
Human Rights Film and Video Festival, New York 2003
International
Video Festival, Trivandrum 2003 |
|
Jardhar
Diary
|
Krishnendu
Bose
|
29
|
This
film is a personal journey into an area, which is alive with consciousness
and commitment to save natural resources. The villagers of Jardhar Gaon
and a few surrounding villages have revived their forests, are fighting
limestone mining on their hill slopes, staving off power lines, which will
decimate their rich Pine and Sal cover and reclaiming traditional seeds
and putting them back into circulation.
|
|
|
Journeys
|
Vinayan
Kodoth
|
38
|
What
does it mean to be part of a crowd of nearly 7 million commuters for whom
the daily journey to and fro from work is becoming increasingly nightmarish.
As it looks at Mumbai, the film moves between the dramatic and the reflective
, juxtapoing sound and visual ,the past and the present.
|
International
Documentary
Festival of Amsterdam,
2003
|
|
|
|
|
|
|
|
Laden
is Not my Friend
|
|
28
|
On
Sept 11, as the twin towers crumbled, a war began between USA and Osama
Bin Laden, and a religion received a brand name of barbarism. The film,
a satire, is a story of a boy, 25-year-old Bengali Muslim far away from
New York, his mind and state of identity affected by the incident. He aspires
to go to the US and tries to convince Mr. Bush of his innocence…
|
8th
Kolkata Film Festival
Indo-British
Digital Film Festival 2003
Indian
Cultural Event (Spain)
Human
Rights Watch International Film Festival 2004, Newyork
Best
Fiction Film, 2nd International Video Film Festival
Thiruvananthapuram,
Kerala, 2003
|
|
Ladies
Special
|
Nidhi
Tuli
|
31
|
An
account of two journeys made by women travelling on the ‘Ladies Special’
local train, an entire train dedicated to women. The only one of its kind
in the whole world. The film explores how the overworked, stressed women
of Mumbai, took time and space on the train and made it their own private
space, where they could be themselves.
|
2003
PSBT Festival
|
|
Made
in India
|
Madhushree
Dutta
|
38
|
A
rural artist paints her autobiography, Bollywood movie icons’ images get
erased after the weekly run of the film, the national flag flutters on
150 kites, installation artist paints pop icons on the rolling shutters
of shops, religious icons jostle for attention with plastic flowers on
the vendor’s cart, metaphors of life cycle adorn the mud wall of a home,
neighbourhood boys craft the tale of WTC and the sale of toy planes goes
up. Symbols of nationalism become a fashionable commodity.
|
Film
South Asia (2003),
Travelling Film
South Asia (2003-04),
Manchester
Art Galleries
|
|
Man
Dam
|
Abhivyakti
|
15
|
The
video film portrays the struggle of the people of 17 villages in the Narmada
valley which would be submerged by the Maan dam on river Maan.
|
|
|
Manjuben
Truckdriver
|
Sherna
Dastur
|
52
|
Manjuben
has broken the gender stereo-types which are part of the social landscape
she inhabits. She has created an identity for herself that is deliberately
male, that of a macho trucker, commanding respect from her peers. Yet,
Manjuben is no crusader. She is just as patriarchal as the next person.
|
The
Museum of Modern Art - New York, International Documentary Filmfestival
Amsterdam, Festival International de films de femmes - Creteil, Mediawave
- Hungary, London Lesbian and Gay Film Festival, Tampere and Turukku festivals
- Finland, L and G festivals in Zurich, Milan, Berlin, Hamburg, San Francisco
and Chicago, IV Fest Kerala, Film South Asia - Nepal, Larzish - Bombay,
Mixbrasil - Sao Paulo and other 5 Brazilian cities.
|
|
Men
in the Tree, The
|
Lalit
Vachani
|
98
|
In
1993, Lalit Vachani completed The Boy in the Branch, a documentary
about the indoctrination of young Hindu boys by a branch of the RSS, India’s
foremost Hindu fundamentalist group. Eight years later, Vachani revisited
the subjects of his earlier film, to explore the rise of the RSS and its
Hindutva ideology.
|
IDFA,
Amsterdam; One World Human Rights Film Festival, Prague; One World Film
Festival, Bratislava; FID Marseille; Zanzibar International Film Festival;
Film South Asia, Kathmandu; Border Crossings Film Festival, Houston-Texas;
Another World Film Festival at the Asian Social Forum, Hyderabad; World
Social Forum Film Festival, Mumbai.
|
|
Miles
to Go
|
Nina
Subramani
|
58
|
A
bus journey across India - 7 states, 6000 kilometres in just 60 days. This
is a story of individuals fighting all odds for their basic rights - a
story of a thousand revolutions in a thousand Bhopals.
|
Best
Documentary Award, 11th Annual Raindance Film Festival 2003,
Vatavaran 2003,
Festival of Asian Films, Institute of
Contemporary
Art, UK |
|
Million
Steps, A
|
Pankaj
Butalia
|
22
|
In
the 1860's, the British, keen to know the terrain of Tibet in case the
Russians invaded India through Lhasa, trained Indian surveyors to disguise
themselves, enter Tibet and carry on surveys incognito. This film is a
short documentary attempting to look at the adventures of three of these
surveyors.
|
|
|
My
Own Home
|
Samira
Suri
|
42
|
The
film is set in an old age home - Ayudham, on the outskirts of Delhi and
explores the lives of five elderly people whose age group range from 65-90
years. With great honesty and dignity the protagonists share their personal
histories with the camera even as they go about their daily lives in Ayudham.
|
IV
Festival, Trivandrum
|
|
Naata
|
A.Monteiro
&
K.P. Jayasankar |
45
|
Naata
is about Bhau Korde and Waqar Khan, two activists and friends, who have
been working with neighbourhood peace committees in Dharavi, Mumbai, reputedly,
the largest 'slum' in Asia. Naata juxtaposes the multi-layered narrative
on Dharavi and the 'stories' of the filmmakers, thereby attempting to foreground
a critical and active viewership.
|
Film
South Asia 2003, Kathmandu, Travelling Film South Asia, 2003-4, The First
and
the Last Experimental
Film Festival 2003, Sydney, WSF Film Festival, 2004, Roop Kala Kendro Festival,
Calcutta, 2004 |
|
Naga
Story-
The Other Side
of Silence |
Gopal
Menon
|
62
|
The
Nagas are a 3-million-strong indigenous people who occupy the North-East
frontier of the Indian
subcontinent.
The Naga political struggle is one of the oldest nationality movements
in South Asia,
continuing
till present times. The film provides an introduction to the history of
the Naga struggle, and
documents
the human rights abuses suffered by the people in more than 50 years of
the existence of
Independent
India. |
Withdrawn
from MIFF 2004
|
|
Narayan
Gangaram Surve
|
Arun
Khopkar
|
45
|
On
the life and work of Narayan Surve, a well known Marathi poet, the film
uses enactments to recreate key scenes from his life and poems. The Bombay
textile industry forms the backdrop for the film
|
Golden
Lotus, Best non-feature film, 50th National Film Festival
|
|
New
(Improved) Delhi
|
Vani
Subramanian
|
6
|
Amid
increasing superhighways, hatchback vehicles, multinational corporations
and the suburban syndrome the metropolis has no space for the embarrassment
and horror of the poor and their slums, or the ugly shadow they cast over
Delhi’s glistening self-image.
Welcome
to the capital city of India.NEW (improved) DELHI.
|
New
Asian Currents at the Yamagata International Film Festival 2003; North
Sotuh Media Encounter, Geneva 2003; Seoul Independent Documentary Film
Festival 2003
|
|
Night
of Prophecy, A
|
Amar
Kanwar
|
77
|
A
Night of Prophecy is a simple film about poetry and witnessing the passage
of time . Through poetry emerges the possibility of understanding the past
, the severity of conflict and the cycles of change . The film travels
in the states of Maharashtra, Andhra Pradesh, Nagaland and Kashmir in the
Indian subcontinent.
|
Kassel
, Germany.
2003 Amar Kanwar
- 3 Films, Museum of Modern Art , New York
2003 Trilogy
of Films, Museum of Modern and Contemporary Art,Geneva
2003 The Renaissance
Society , Chicago, USA.
2003 Tensta
Konsthall, Stockholm , Sweden
2003 Fri -Art
Centre d'art Contemporain Kunsthalle,Switzerland.
2003 Art Basel
Miami Beach , USA.
2002 Other
India's - Breaking the Code , Whitechapel Art Gallery , London.
2003 Yamagata
International Documentary Film Festival , Japan ,
2003 Film
South Asia, Kathmandu Film Festival , Nepal
2003 Loka
Chitra Utsav , Peoples Film Festival , India ,
2003 South
Asia Human Rights Film Festival , New York , USA ,
2003 UNESCO
-PSBT International Film Festival , Open Frame, India
2002 Karachi
International Film Festival, Pakistan ,
2001 International
Short & Independent Film Festival Dhaka, Bangladesh ,
2003 World
Social Forum Film Festival , Mumbai, India |
|
On
an Expresss Highway
|
Reena
Mohan
|
34
|
Jignya,
a successful 33 year old woman from a wealthy Jain family, gives up the
material world with its conveniences, for the austere life of a sadhvi
(nun). Intrigued by Jignya's choice, the filmmaker decides to trace her
journey. What follows is a dialogue with an articulate and confident woman,
strong yet vulnerable, full of certainty yet striving against the mental
habits of a lifetime.
|
KARA
film festival
|
|
On
my Qwn
|
Anupama
Srinivasan
|
28
|
Five
young women from middle class Delhi share with us their experiences of
trying to live on their own in this conservative city. They justify their
decisions to their families, come to terms with their own loneliness and
insecurities, and also discover some things about themselves.
|
Kara
Film Fest '03, Trivandrum International Film Fest '02, PSBT-UNESCO Fest
'02
|
|
Outburst
(Aakrosh)
|
Ramesh
Pimple
|
18
|
On
Gujarat genocide 2002 whichbrings together accounts of the plight, anguish,
helplessness and sorrow of the survivors.
|
Locarno
Film Festival
New
York Film Festival
|
|
Pala
|
Gurvinder
Singh
|
83
|
A
Pofile of Pala, a storyteller from Punjab, dealing with the diversity of
the centuries old storytelling and musical tradition which is rapidly on
decline. He and his group travel across Punjab, performing at temples,
gurudwaras, mosques, dargahs of Sufi saints and at various village fairs,
highlighting religious and cultural plurality
|
|
|
Parai
|
Leena
Manimekalai
|
45
|
In
Siruthondamadevi, a village situated in Cuddalore district, Tamilnadu,
600 odd Dalits are under assault everyday by 6000 strong backward castes.
Be it untouchability, sexual harassment, rape, assault, exploitation of
labor all forms of violence are prevalent. The film juxtaposes accounts
of Dalit women with data on the ststus of Dalits in India.
|
|
|
Plug
N' Play
|
Shanker
Raman
|
29
|
Aamir,
Amit and Sorab are likely partners in an unlikely venture. They discover
that they have a film in hand during the course of this video. Is
it too bad to hate your ex-girlfriend’s friends, mom’s cooking, guns, employment,
impulsive thought and action, platitudes, and other things related?
|
|
|
Pyramid
of Women, A
|
Cheryl
Kanekar
|
19
|
During
the festival of Gokulashtami, which celebrates the birth of the Hindu god
Krishna, the custom is to hang decorated earthenware pots containing rewards,
several storeys above the ground. Teams of men compete to reach and break
the pots by forming human pyramids on the street below. Traditionally,
only men form these pyramids. The women of a low-income textile mill neighbourhood
have decided to challenge this tradition by forming the first-ever women’s
team to form these pyramids.
|
|
|
|
|
|
|
|
|
Searching
for Saraswati
|
Sudheer
Gupta
|
62
|
Onthe
40 day Mahakumbha festival of 2001 on the confluence of the rivers Ganga
and Yamuna at Allahabad - in the world's largest city in tents attended
by pilgrim-farmers and babas...amidst rising fundamentalism, consumerism,
lack of concern... searching for the invisible river of learning... Saraswati.
|
Zanzibar
International Film Festival 03, Zanzibar, Tanzania
Film
South Asia 03, Kathmandu, Nepal
|
|
Silent
Killer, A
|
Dhananjoy
Mandal
|
23
|
Arsenic
poisoning in drinking water drawn through tube wells is claiming many lives
in 75 Blocks of 8 districts in West Bengal. Measures have been so far been
taken to mitigate the problem are insufficient in scale.
|
Kolkata
film Festival
Public
Relations Film Festival
|
|
Sita's
Family
|
Saba
Dewan
|
60
|
A
personal exploration of memory and the mysterious ways in which it is transmitted
from mothers to daughters. It is about the family, the primary site of
struggle for women and it is about the outside, forbidden territory to
be negotiated at considerable peril.
|
Film
South Asia,Kathmandu, 2003 Zanzibar International Film Festival,2003, The
Other World FIlm Festival.2003
|
|
Some
Roots Grow Upwards
|
Kavita
Joshi
|
52
|
What
is the relevance of theatre (or all art, for that matter) to the crisis
of our times? The film explores the creative canvas & politics of Ratan
Thiyam, celebrated Manipuri theatre director, against the backdrop of this
query.
|
Best
Film (adults), UGC CEC Video Awards 2003
Technical Excellence
(Sound), UGC CEC Video Awards 2003
Citation for
Film on the Arts, UGC CEC Video Awards 2003
Wisdom Tree
Film Festival, celebrating 40 years of FTII. 2003, Pune
PSBT UNESCO
Film Festival 2003, New Delhi
IVFEST 2003,
Thiruvananthapuram
Crimson Feet
Fireworks 2003, Ahmedabad
Documela 2003,
Gurgaon
Special Screenings
at the National School of Drama, New Delhi; Satyajit Ray Film & Television
Institute (SRFTI), Kolkata; Shaniwarwada Dance Festival, Pune in conjunction
with a performance of Ritusamhara. |
|
Tales
of the Night Fairies
|
Shohini
Ghosh
|
74
|
Five
sexworkers - four women and one man - along with the filmmaker/narrator
embark on a journey of storytelling. Tales of the Night Fairies explores
the power of collective organizing and resistance while reflecting upon
contemporary debates around sexwork. The simultaneously expansive and la | |