May 9 & 10, 2003

Prakriti Foundation presented in association with Consulate General of Israel, Mumbai, and PCVC (Prevention of Crime and Victim Care), Chennai "Flowers Aren't Enough", A play written and performed by Naomi Ackerman Production manager - Raphael Harrington

Venue: Image Auditorium, Chennai

May 9 & 10: Image Auditorium, Chennai, 7 pm
May 10: Morning - Panel discussion on theater and domestic violence by Naomi, Prasanna and Hema of PCVC for Ellements women's group.
May 11: At Aurobindo Auditorium, Pondicherry – in association with Kala Khoj
May 13: At Bangalore – in association with IFA
May 14: At Bangalore – in association with Vimochana

"Flowers Aren't Enough"
It is a monologue that tells the story of Michal, a young woman from an upper middle-class family who finds herself in an abusive relationship. We see her denial, guilt and despair and her sinking into darkness, until comes a turning point…and she decides to make a change.

The show was originally produced under the auspices of the Israeli Ministry of Welfare. The monologue is woven from true stories and actual incidents. It has been performed over 600 times all over Israel, and has successfully toured India, New Zealand, Hawaii, Belgrade-Serbia, Australia and Northern America.

The presentation of 60-minute duration was followed by a discussion with audience.

Naomi Ackerman
She researched, wrote and performs the play. An American born Israeli, she received a BA from Hebrew University and teaching credentials from David Yellin Teachers Seminar. She is also a graduate of the Nissan Native Acting Studio. Naomi is an experienced actress whose credits include theatre, musicals, films and television. She is a professional clown, street performer and stilt walker. Naomi has participated in various multinational theatre productions where Arab and Jewish actors from the region worked together. She does theatre and film workshops sponsored by the 'Peres Center for Peace' promoting tolerance and dialogue. She writes, directs and devises plays with children at risk from various backgrounds – using their lives and stories as material for the shows. Naomi is also a mediator and conflict resolution specialist. She works as a freelance consultant with various organizations, adapting and creating drama techniques to deal with social, gender and educational issues.

Reviews

"Ackerman had almost no need for props for her 60 minute narrative... She is a consummate actress."
- "Deflowered innocence" by Dhanya Parthasarathy (City Exps, May 12, 2003)

"Superbly enacted narrative."
- "Victims no longer?" by Kausalya Santhanam (Metro Plus, the Hindu, May 14, 2003)

"Naomi Ackerman's monologue Flowers Aren't Enough at the Prakriti Foundation was not a kiss-and-makeup tale. It was about harassment and cruelty, about domestic violence. An ugly story all too common in a male dominant culture. The script, easy and conversational, highlighted the gravity of the assault on a woman's basic dignity. And Naomi's underplaying of the role-no hand wringing or floods of tears as in a Tamil play – enhanced the effect. The message certainly needed to be proclaimed again and again. And the audience listened in rapt silence."
- "Adam versus Eve" by N Vaidyanathan (The Arts Column, City Exps, May 15, 2003)

"She is able to reach out in a manner that is neither strident or judgmental. It's when she is most visible that she is able to blend into the audience and become a part of them."
- "Victim or victor?" by Geeta Doctor (The Hindu)

"There was total silence in the audience. Someone in a corner began to clap. Another clap came from another corner and the whole hall was full of claps. People who were seated got up and gave a standing ovation…To change our society, Naomi's thousand performances are not enough."
- "Hoovaste Saaladu" by Prathibha Nandakumar (Kannada Prabha, May 18, 2003)

"Has the impact of a blow to the solar plexus."
- "A word war against violence" by Aditi De (Metro Plus, the Hindu, May 22, 2003)

"The message of the play is as clear as a placard – ‘Get help if you are being battered.'"
- "Work in Progress" by Dhanya Parthsarathy (Indian Exps, May 25, 2003)

"So gripping was the one-hour play that when the curtain fell, people did not get up to leave."
- "Wrenching act" by V R Devika (The Week, June 8, 2003)